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But, since the puppets are cheap and, well, are puppets, they can't have much screentime. And the Old Guy is just so melodramatic about everything, and he is acting the crap out of every line (even though he can barely act). Those puppets are hilarious, and people fighting with them is an awesome visual. And more of the Old Guy, and a lot more of the hobgoblins themselves. Especially in a film that has Fantazia say that line about making the film rated X. This film has sexual innuendo and implicit promises of sex, but just can't be bothered to "go all the way." And, I think that's a mistake. At least it suggests something might actually happen. Amy's song and dance may suck but at least it's interesting.
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When that would make the movie more interesting. This hobgoblin isn't really interested in the fantasy, any more than the director seems to be. Instead they drive to "Reputation Road" to "go all the way." Except they don't "go all the way" instead, "Fantazia" leaves the car and proceeds to try to push it over the edge of the dropoff. But also, who's fetish is that? Even when Fantazia magically shows up later because of the hobgoblins, there's no movie theater involved. 1) they cost way too much and 2) there's no way she'd be telling a quick, complete story like that in so short a time because of #1. That's basically it we miss the end because Kevin walks into the room. Then, take my clothes and leave me naked so when the lights com up, I'll be the second feature. Lick that artificial butter flavor off my body. Next, pull me down and roll me on those sticky floors. Wave the lunar eclipse and block the projection feed.
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And when the lights go down, drop your pants and show me a full moon. I want you to show up and make it rated X.
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Meanwhile, Kyle goes off on his own (in Kevin's house) to call his "girlfriend" the phone sex worker.Īnd that bit is ridiculously tame while trying really hard to be explicit: Or Daphne's immediate critique of the video Kevin brought to watch with Amy because it doesn't have "at least one X rating." Nick has been in basic training for two months, and Daphne implies that all he'll want after two months is sex. Take the dichotomy of Amy and Kevin as compared to Nick and Daphne. The premise, obviously, pushes into soft core porn territory more than family-friendly fare. I'm reminded of a French movie- The Turn On (aka The Click)-which operates on a simple premise: Guy invents a remote control that can make women get horny and take off their clothes. The supposed power the titular Gremlin-ripoffs have is to make you act out your fantasies (and they even make you imagine other people for those fantasies if other people aren't already around). We don't need an orgy like the end of Perfume, but this film should at least be as explicit as Porky's. But, it's aiming for cute when this film should be aiming for raunchy. Yeah, it's a funny visual, and its brevity makes it even funnier. Like that line about showing everyone she's not wearing any underwear, but then the hobgoblins turn everything to chaos and violence before anything gets particularly "adult". Sure, her lyrics are leaning toward explicit. Amy secretly desires to be a stripper, apparently, but strips down to about the same amount of cloth you'd see in a Jane Fonda Workout take from this same decade. Phone sex worker magically shows up in person, but is there any sex? Nope. Instead, perhaps because it was made by Italians directing a bunch of Mormons, it aims at being quaint, being kid-friendly. Troll 2, for example, leans toward serious sexual moments with Creedence but backs off before it goes too far. Or rather, failing entirely at being what it seems to want to be by not going far enough. Like the more (in)famous Troll 2, Hobgoblins' biggest mistake is not knowing what it wants to be. Well, there can be many reasons, but this is a big one. Hobgoblins is a good example for exploring why a bad movie is bad.